Note: this is the third article in a short series designed to help you play your guitar more often, because the more you play your guitar, the better you'll get! If you haven't already, check out part 1 and part 2.
The more you play your guitar, the better you will get.
So far in this series we've looked at keeping your guitar on a stand, and building a habit around something else you do on a daily basis.
While both of these are great strategies, it's worth developing a wider toolkit for getting your guitar practice in.
I've found over the years that it sometimes takes a variety of tools to keep yourself moving forward. Habits may work for a while, but then your schedule changes.
You keep the guitar on a stand in your living room, but now it's summer and you're spending your time outside.
Whenever one strategy stops helping you play more, you can always change your approach - if you have more than one trick up your sleeve.
This lesson will focus on scheduling guitar practice into your day.
It can be as simple as a reminder on your phone, or an entry into your calendar app. Just something to give you a little nudge to pick up your guitar.
Note: this is the second article in a short series designed to help you play your guitar more often, because the more you play your guitar, the better you'll get! Check out part 1 here.
If you want to improve your guitar playing, you need to spend time playing guitar.
It seems obvious, but sometimes we need to have these things spelled out for us.
In part one of this series, we looked at making your guitar visible so you'll be more likely to pick up your guitar and play it.
In this lesson, we are going to explore creating a habit of playing your guitar more often.
It takes a little bit of thought and willpower up front, but before too long you'll be picking up and playing your guitar almost automatically each day.
The best guitar players I've met are the ones who play guitar the most.
This goes for the professionals I've worked with, and students of mine who have become great players themselves.
You don't have to practice for hours at a time to get good at playing guitar. It does help if you play your guitar regularly though.
Even a few minutes a day can help you start to improve if you do it often enough.
Note: If you want to become a professional, you have to put in the time. There's no way around that - in college, music majors are expected to practice a minimum of 4 hours each day. If you're playing for fun, you'll be surprised at how much you can improve with a little bit of time each day.
The biggest hurdle you face in your own guitar playing is making sure you're playing your guitar regularly.
Playing for an hour a couple of days out of the week is not going to help you as much as playing guitar for a little bit of time each day. Make it a goal to play guitar on more days than you don't play guitar. (Even if it's just for a couple of minutes - it's worth it)
Over the next few weeks, we'll look at some simple ways you can start playing your guitar more regularly. Click the "Read More" button below.
At some point in your jazz guitar playing career, someone is going to ask you to use something called "rootless voicings" for your chords.
This is especially true if you're playing in a jazz ensemble or small group at the high school or college level.
(If you're playing professionally, you probably already know what rootless voicings are, how to use them, and when to use them in your playing.)
The theory here is that if you're playing the root as a part of your chord, it's an unnecessary note because the bass player is playing the root as a part of their bass line.
While I don't 100% agree with this idea as a fundamental rule, it's still important for you to learn how to play these rootless chords.
You want to be able to do what your director/bandleader/etc asks you to do - it's your job as the guitar player, and they are likely hearing things out front that you are not hearing from your seat by the amplifier.
By dropping off the root from your basic jazz guitar chords you open up new possibilities for color, and free up your hands for simpler "grips" on your chords.
Even when you're not asked to, experiment with using these chords to see what they sound like in a playing situation.
Eventually, you want to be able to decide whether or not to include the root at the bottom of your chord based on the situation (song, style, band, soloist preferences).
Major 7th arpeggios are an important skill for any jazz guitar player to have.
Practicing these arpeggio patterns will help you improve your technique in both hands, develop ideas for improvisation, and learn the notes on the guitar neck.
You are also training your ears and fingers to find notes that are a part of the major 7th chord - so when you see one written on the page (or recognize the sound when you hear it), your fingers know what to do already.
Whether you're playing blues, rock, country, hip hop, or jazz - the minor pentatonic scale is going to be a helpful tool for you to have at your disposal.
This is a foundational pattern that appears in many styles of music from around the world, and opens the door for learning new techniques and improving your guitar playing skills.
In minor keys, the minor pentatonic scale is going to be your best bet for improvisation most of the time - at least as a starting point.
For many styles of music, these patterns make up 80-90% of the material you need for playing solos.
Once you have your pentatonic shapes down cold, they will also give you a framework you can use to easily learn your other minor scales on top of.
Adding an extra note on the 2nd string is a good way to add some color to your fundamental jazz guitar chords.
For our purposes, we are going to call these notes color tones
While the fundamental chords give you a really clean representation of the jazz chord, adding color tones gives you more control over the sound, more ability to play specific chords that pop up in your music, and make playing chords a lot more fun.
Major seventh arpeggios are an essential skill for playing jazz guitar, and they can be a lot of fun to work on, too.
These arpeggios will let you outline a major 7th chord when you are improvising over jazz standards or jazz ensemble music.
By practicing these arpeggios, you'll be teaching your fret hand to find good notes to land on when improvising over a major 7th chord.
The major pentatonic scales are an important building block for playing melodies and improvising solos on the guitar.
These patterns are important for all styles of music, and especially helpful when you’re learning to play jazz guitar.
These scales can be a helpful go-to source for material when you are improvising on a major blues progression, or with other progressions that stick mostly to a major key.
To get the most out of this lesson, you’ll want to know the notes along each of the guitar strings. If you’re not comfortable with that yet, click here to get started.
If you’re in a hurry to get these scales under your fingers and playable, don’t worry! I’ll include a fretboard map here to show you what you need to know.
The pentatonic scales are helpful for a couple of reasons:
Chords are an essential skill for jazz guitar, and they can be a lot of fun to work on.
If you’re playing in any kind of group (jazz band, combos, with another guitar player, etc) your main job will probably be playing chords, so it's a good idea to get familiar with them early on.
To get the most out of this lesson, you’ll need to know the note names on the 6th and 5th strings.
If you’re not familiar with the note names up and down each string, click here to get started.
Don’t worry - I’ll include fretboard maps in this lesson with the notes on the 6th and 5th strings if you’re in a hurry to get going.
Instead of trying to memorize a bunch of different chord shapes for every situation, I’m going to show you 2 fundamental chord shapes that you can modify to create the basic chords you need for almost any situation in jazz guitar.